************ Chapter 6 ************ Aubrey, MO November 4, 2000 1:30 p.m. After a comfort lunch following the Tillman interview, Mulder urges that they hit the road for Edmond, Nebraska. "Call first," Scully insists, calculating from memory the distance to Linda Thibodeaux's house. Bleak miles of frozen, empty fields, tufted here and there by stands of leafless trees. An occasional community, a house or two, farms, rivers, then rolling, open land again as far as the eye can see. Mulder makes the call, gets an answering machine, and hangs up. "The hospital," he says, winking at Scully in triumph as he punches the numbers. Conversation is abrupt, but decisive; he steers the Corolla onto the highway and heads northwest. "Are you going to make me guess?" He grins. "They told me Mrs. Thibodeaux spent most of the morning with Viola Rains, then indicated she was on her way home. I wager our reunion visit isn't long in coming." "We'll see." A familiar landmark on the edge of town is the decrepit Motel Black, still in business, though now a much darker, shabbier version of its former nefarious glory. "Wonder if they change the sheets between customers," Mulder quips. The Motel Black was the place where it all began six years before: Lieutenant Brian Tillman ran late for a rendezvous with his pregnant lover, Detective B.J. Morrow, and bizarre visions assailed her in the darkness. She was drawn to the field beside the motel, kneeling and digging with her hands until Agent Sam Chaney's long-missing bones came inexplicably to light. Today, the same field stretches away cold and undisturbed toward the metal legs of electrical transformers. "Well, I have no real complaints about the Conestoga," returns Scully. "I think it's better than the place we stayed in the first time around." "In my opinion, anywhere's better, now that our personal dynamics have... well, melded." He draws out the 'm' sound and enunciates each syllable, quirking a lascivious eyebrow. She graces the passing countryside with a non-committal smile. "You mean, now that we've thrown caution to the wind and actually have sex, Mulder? Pleasuring one another in a variety of pretty satisfying ways? Is *that* what you mean by 'melded'?" "Ah... yeah, that about nails it." His expression hovers between injured and amused. "*Pretty satisfying* is the best descriptive you can come up with?" "Mmm, 'Exceptional', then." "Better..." Linda Thibodeaux is a no-show, though she's acquired a bristly beast of a guard dog since the last time they visited in 1994. Mulder beats a hasty retreat out the gate and back to the car, the animal rounding the house in pursuit and then snarling at them through the fence. They wait a long, unfulfilled hour and a half at the end of her driveway before heading back to Aubrey. There's little more to be gleaned so late on a Saturday at the Aubrey Police station other than the renewal of a few old acquaintances. The station house has been refurbished in the intervening years. Tillman is nowhere in sight, but Joe Darnell, now a detective of standing among his fellow officers and a valued assistant, greets them warmly and introduces them around. "Been some changes, mostly for the better," Darnell admits, giving each agent another firm handshake on the way out, "but it's sure good to have both of you back. The Kansas City field office would have been more than happy to dispatch a few agents, but the Lieutenant insisted on calling you two instead. He appreciates your cooperation more than you realize." "I'll have to take your word on that," says Mulder. "Let us know if anything new surfaces." Since parking is tight around the Conestoga, he drops Scully off before rounding the lot. Maid service, she notes appreciatively, has visited both their rooms with clean bedding and towels. Peeking through the connecting door at Mulder's neatened bedspread, she sees the phone light blinking near his bed like a beacon. He unlocks his door a minute later, stripping off his coat and loosening his tie as he enters. "Message for you," she says, nodding toward the phone, then retreats to use her bathroom and freshen up. By the time she reappears in the doorway, Mulder's hung up the phone. Sitting on the edge of his bed, he sports a pleased, though bemused expression. "What is it?" "Call it a stroke of luck, forwarded from D.C. Shamrock Women's Prison wants me to talk to B.J. ASAP." She frowns. "That's strange. Would it have anything to do with Tillman's contact a few days ago?" "No, I think it's something more involved than that. Just a feeling," he adds. "I told them where I was and that I'd head over first thing tomorrow morning." "Fortuitous for them." She sits down near him and crosses her legs, acutely conscious that the invitation was exclusively Mulder's. "I suppose I could follow up on a few contacts here on my own. We need to speak with Natalie Warner, whose daughter allegedly invited Benjie to the birthday party. And maybe I can catch Linda Thibodeaux unawares at the hospital." "You don't need to knock yourself out in my absence. Here's your chance to be a secret slug, Scully. Saw a few extra logs. Grab a late brunch from across the street." "I can plan my own day, thank you." "Just wanna be sure you'll be okay while I'm --" She stares at him, eyes widening in shocked comprehension. "Oh, for God's sake," she hisses under her breath. Rankled to the core, she jerks upright, but feels his lightning hand snag her wrist. "Stay," he says in a firmer tone, holding on until she sits again with stubborn reluctance. He shifts closer, their thighs nearly touching, his hand claiming hers. "And drop the damn defensive posturing. Remember our conversation the morning we flew out here... and what's been riding you ragged since Thursday. Trust me... at any other time I wouldn't dream of monitoring your involvement; it's enough that we watch each other's back. Scully, you know that." "I..." She looks away, jaw tense and squared. "I know that." Shame colors her cheeks at the blatant reference to her personal foible and it's conjunction with the case; Mulder's argument is reasonably worded despite its sting. "You're right. At any rate, I can probably avoid charging another rental by calling Joe Darnell down at the station tomorrow morning. Someone should be willing to give me a lift around town." "I don't doubt it." They sit together on his bed in prickly silence, hands clasped, until the smallest shreds of offense stirred up between them settle like dust motes in sunlight. Closing her eyes, she regrets her vehement reaction to logical, thoughtful concern from a partner and friend, in the field, and under unusual circumstances. During the day her demons hide so well, giving her a false sense of confidence, only to reappear as night approaches. It should pass soon. God, it better, she prays. She feels a squeeze on her hand, glances at him, and realizes with some chagrin that he's been watching her face the whole time. "What?" "Nothing." "Well, we need to get to work before it gets any later," she states with a mixture of renewed vigor and healthy denial. "The brainstorming you wanted to do, remember?" He has that tender look in his eyes, as though he wants to kiss her, but the last thing she needs right now is to feel placated. To deter such a move, she puts distance between them and re-crosses her legs. Mulder smirks and settles back toward the head of his bed, one long leg bent, the other draped to the carpet. "Okay, then, let's get it on... I want impressions, Scully. Impressions of Benjie Tillman from the interview this morning and the physical traits that could connect him to this crime." "Such as his voice? Viola heard a raspy voice, similar to what happened in '94." "Exactly. Very unusual in a 5-year old. It reminded me of that little blonde kid in the movie 'Kindergarten Cop' whose father was the drug dealer perp. The Schwartenegger flick, where he goes undercover as a teacher --?" She shrugs. "A guy movie in disguise. Must've missed it." "Every time the kid spoke his lines it made me want to clear my throat. Low and gritty, phlegmy, harsh... like Bengie's. What medical reasons could account for that?" Scully considers a moment. "A pediatric otolaryngologist would be the one to give the most accurate conjecture, but I would tend to agree it isn't natural to a child his age or attributable to a motor speech disorder." "Go on." "Generally, laryngeal abnormalities are caused by simple vocal abuse -- shouting, coughing, excessive chatter, forcing the vocal cords into making sounds they're not meant to for a prolonged period. Over time, the vocal folds become inflamed, eventually causing a form of chronic laryngitis or worse." Mulder yanks off his tie, undoes his collar button, and searches his suit pocket for seeds. "I wouldn't call Benjie Tillman the loudest kid on the planet, would you?" "Not even close... but consider this: volume isn't always the culprit. Maybe he was never permitted to be loud at home. When children speak at inappropriate pitches, most often the very *low* ones tax the vocal cords just as harshly." "Is it reversible?" "Usually, but it takes work. A patient speech therapist can help the child to identify and thus, over time, eliminate or modify the destructive vocal behaviors." He cracks and munches several seeds before replying. "So... Benjie being a shy, quiet kid... what type of environment would encourage such inappropriate lower pitches, if that's the cause? Tillman's a busy man in the public eye who's spent the last six years extricating himself from a sticky mess -- and Benjie is the direct result. His wife, he claims, has had a rough time dealing with the whole thing." "She, who couldn't join us this morning," points out Scully. "I would assume she's the primary caregiver when Tillman isn't around. The mother by default. We just don't know those details yet." Remembering Benjie's red-scoured skin and his obvious discomfort, his cowed demeanor and weepy eyes, she feels a slow burn of anger for a woman who would be so negligent in her responsibility for a child, however suspect his origins and unwanted his presence in her life. "Could she be doing something to aggravate the condition?" Mulder wonders aloud. "I don't think so. That would suggest MSBP --" "Munchausen Syndrome By Proxy," he says, nodding for her to elaborate. "Yes, when a mother deliberately and repeatedly injures or sickens her child in order to gain a continuous stream of comfort and attention for herself. That's not happening here, Mulder. Quite the opposite, in fact, in light of her desire to be left alone. This looks more like an outright case of child neglect." "And more appropriate for the Department of Social Services, than the FBI," he finishes. She rubs the tension lines from her forehead, in her mind picturing the boy's eyes: large, heavily-lashed, so watery he dabbed at them from time to time. For some reason this image disturbs her more than his neglected skin. Emotions bottled up as though with a cork, yet leaking under stress despite inordinate self-control for one so young. Like a pressure cooker ready to burst -- "Mulder, speaking of movies..." "Uh-uh. 'Steel Magnolias' is a monumental see-once, in my book." "No, just a minute... When I was a little girl, I remember joining my father in the midst of an old, black and white WWII movie he was watching. Some of it took place overseas, maybe France or Italy, and involved a U.S. military couple who ended up adopting a war orphan, a little girl." "And they all lived happily ever after?" "Only after an unusual catharsis in the middle of the film. They'd almost decided against adoption, because the girl had a strange, obsessive habit no one could account for: she kept dabbing at her eyes. The cathartic moment came when the couple urged her to tell them what caused it. And she began to sniffle very softly --" The vividness and raw emotion of the scene revisited makes her pause and swallow. Mulder leans forward from his pillow, but she waves him back. "Anyway, the girl started crying in stages... whimpering, which turned to noisier weeping and then to outright, open- mouthed sobbing. Apparently she felt she was in a place safe enough -- and with people understanding enough -- in order to vent her true grief. The terrors of war, the loss of her family, the fear of abandonment all came pouring out after being denied for so long." "Denied because of the overwhelming fear of even more brutal and continued rejection if she dared to show what lurked within... Shit, Scully --" "Hmmm?" He springs from the bed and begins a slow meander in front of her, hands thrust into his pockets. "Your old black and white classic just might have uncovered the key that can make sense of some of the strange behaviors we observed today." ************ Their brainstorming accelerates into hours, running the restricted gamut of environmental factors that could create or nurture psychopathic tendencies in children. Mulder points out that well over half of all known psychopathic individuals have lost a parent in childhood or have been adopted. "That in itself provides a breeding- ground for tremendous family dysfunction," he muses. "You get single parent homes, re-marriage and/or subsequent divorce, estrangement, rejection, latch-key situations, possible negligence, not to mention the emotional trauma of losing the original parent or parents." "Is Benjie even aware that Janine Tillman isn't his biological mother?" "That's something we should find out. But the fact remains that he came innocently enough into a home situation that had all the potential for instability and damage." "True. A love child separated from his mother, salvaged to be raised by his father and the father's already resentful wife. Which brings up another important factor -- deprivation of love. Emotionally detached or absent parents." "I see Tillman as often absent, but he seems plenty invested and protective," says Mulder, remembering the man's remarks in the restaurant and how he hovered hawk-like throughout the interview, even squelching it when it felt the questions to be inappropriate for Benjie. "I think he really loves his son." "Commonly, it's the absentee father who's detached, but suppose in Benjie's particular situation it's the mother?" "The classic evil step-mother?" "Mulder, I'm serious. It stands to reason that Janine Tillman, if she *is* the caregiver, would have complete power and control over what that child hears, does, and how he behaves and reacts all through his pre-school formative years. On a daily basis and behind closed doors. A child often doesn't make his real neighborhood debut into the public until starting school." "Okay," he says, ticking off on one finger, "the neglected skin. Then, the voice disorder, possibly aggravated over time from inordinate amounts of stress on a young kid forced into a painful, restrictive situation." He glances at his partner, who sits at solemn attention. A second finger, then a third. "The eye-wiping. The whipped puppy appearance. Like the girl in your movie, he has no choice but to endure in silence -- or face rejection and/or recrimination too overwhelming for his young psyche to handle. That could also account for his wandering off." Scully stands and stretches slightly forward, hands at her lower back, then walks to the window. When she pulls the curtain aside, he sees darkness outside; the Grill's dinner crowd noise, drifting over from the opposite side of the building, has already begun to thin. Neon lights flicker, casting a multi-colored glow over her face and hair, accentuating the weariness in her eyes. "That's summation enough for me," she murmurs, letting the curtain drop back into place. "It's getting late and I'm losing steam." "Something we still haven't fully explored yet, Scully, is Benjie's own genetic inheritance from B.J.... that came ultimately from Harry Cokely. Remember, someone warped stabbed that woman and said those same words." Her sigh sounds heavy with discouragement. "I suspect," he continues, "that Benjie knows or feels something he can't talk about without fearing rejection and ostracism. Or can't express it without releasing a fiend in the process. Maybe he saw something too horrifying to relate. If that's the case, the kid may be up the creek without a paddle." "Then we need to find one for him...or do the paddling ourselves," she says, rubbing her eyes. "However, I can't even go there now -- everything we've already covered has depressed me enough for one day." "So we bag it. Hey... it's Miller time." That gets him a grudging laugh and another stretch. Watching her fluid movements, his former tenderness revives and his body wakes to the inimitable sensations evoked by her nearness. Love, protectiveness, desire. He moves closer, hoping to convey his thoughts. "C'mere," he urges. "I think *I* need a hug right about now." Scully responds with willing affection, arms wrapped around his sides, hands pressed flat against his back. His answering embrace swallows her. They share a long, tight hug of support, a slow rock from side to side that drives away some of the unpleasant ambiance created during their hours of discussing unsavory aspects of the case. Hungry for her fragrance, he plows through her hair with his nose, eyes closed, breathing her in. "D'you want any dinner?" "No... What I really want is to put it all from my mind. Give it a rest." Her forehead rubs against his shirt, skims his chin. "I need to forget *everything* for awhile." "We could work up an appetite," he suggests in an off-hand way. "Explore our options. See if you've really got the touch." She lifts her face to him, smiling, and his response is immediate; he seals her lips with his, wide and soft and searching in a deep and languid exploration of mouths that leaves them both gasping for air. "Time to lose the shoes," she says in breathy huffs, drawing slowly back from his embrace to toe off her own clunky heels and peel away the dark knee-highs. He follows suit, shucking jacket and tie, shoes and socks. His body thrums with anticipation. Her hands never fail to tantalize him, sifting along his sides on a seductive journey down to the front of his pants where he hardens almost instantly under her curving palms and talented fingers. "You," she maintains softly, "have been more than patient under the circumstances. As for my touch, you already know how --" From her room, the phone rings, loud and insistent in the stillness. "Oh, fuck..." she mutters. "Hold that thought," he encourages her, feeling bereft and suddenly weary as she disappears through the adjoining door. He can hear her portion of a subdued conversation, sees her mouth "Tillman" and hold up an index finger in apology toward him while pacing back and forth over the carpet. "Try an antihistamine lotion, like Benadryl. It's available at any supermarket and should give him some relief from the itching. Or a hydrocortisone-based cream. You won't be able to get anything greater than one-percent steroid over the counter. No, it's just a very mild steroid preparation, perfectly safe..." Scully's ambling takes her in and out of his line of vision, and he sinks onto the armchair, yawning with lassitude while he waits. Through heavy eyelids he sees her run a hand through her hair, fanning its redness through her fingers. The cord stretches tight, then relaxes when she pivots, back and forth, making him dizzy. "... a lukewarm bath, minimal soap. Nothing that would potentially irritate, like a brand that's heavily-scented. Keep his skin as moist as you can. Yes. But be careful he isn't too warm, because..." Closing his eyes to her drone, he melts back into the cushions. His dick still throbs in his pants, aches for her touch. He cups his crotch gently, circling with his thumb and encouraging the heavy tingle in his balls. Ummm, yeah... a few firm strokes up the shaft and around the underside keep it revived. The contours feel warm and familiar in his palm, comforting to hold and tease with a lazy thumb and forefinger while he waits for Scully's imminent return. Vaguely he wonders about Tillman's call. From the conversation drifting in, it seems her medical expertise is being tapped. The kid's skin. A crying shame, but at least the jerk's following through by asking for advice. A dab of humility goes a long way toward redemption... maybe. But, fuck, why now? Lousy timing, Tillman, you thoughtless bastard... "Mulder." He focuses up at Scully standing over him and realizes he's still clutching his almost flaccid member. Exhaling, he releases himself to grab the hand she offers and looks up at her imploringly. "Tell me I don't need to be embarrassed." "Never," she murmurs. "Sorry that took so long." Sitting upright, he notices she's dimmed the lights. Her jacket is gone and the white shirt hangs un-tucked and unbuttoned; her lace-covered breasts quiver before his face and he leans against them in sleepy satisfaction, rubbing his nose between their softness, dragging his lips over a filmy, taut nipple. His erection returns, stiff and throbbing. "God, Scully... I need you... need this." "I made you a promise this morning." Like an undersea echo, her voice is muted, tender and husky through the cushions of her breasts. The embrace tightens and her hot breath sweeps his ear, lips caressing its whorls. "So, come on, cowboy. Let's see how well you can ride." "I prefer bareback ridin', ma'am," he drawls, lurching forward to his feet. They gaze at one another, lips parted in mutual arousal, shedding shirts in the soft lamplight. His pulse quickens at the sight her naked arms and shoulders, the mesmerizing hollows of throat and collarbone, the sway and shadowed slope of breasts reserved for him alone. He swims in a primal, testosterone-infused sea and hopes to drown in it tonight. Towering over her, he pulls her to himself, feels how slight and plush and sexy she is against the hungry angles of his body. Her hair a silken scarf over his nose, her velvety neck under his lips, tempting him lower. Her slacks fall between them, releasing like incense the rich, intimate fragrance of the Scully he craves. His narcotic of choice, that deep cleft into which he loves to burrow, to lose himself... He feels her hands fumble low, tugging his clothing until his ass and legs lay bare and exposed to the cooler air of the room. Kick the damn pants away... God, the warm clutch of her fingers around his bobbing flesh, pumping and squeezing with knowledge and urgency. He almost staggers now, loving how well she reads him -- his rapacity and need, the immediacy of his appetite. He peers down past the ruffled waves of her hair to glimpse sweeping lashes, flushed cheeks, and lips that plump with longing for him. Not now, not this time... Her nipples are crushed strawberries against the white lace of her bra; to forestall her crouch he dips low and sucks one hard through fabric, toying it with his tongue until she moans. He skims the panties down her legs and off one foot, sinking several fingers deep into her vagina, amazed as always at her inner heat and the wet suppleness he finds. "How?" He rumbles, already knowing what he wants. "You choose." His hands grip her smooth bottom-cheeks. Lifting her up, he spreads her before him, using brute strength and the wide back edge of the chair to support her weight. Her feet and heels arch, anchored around the muscles of his braced legs. With a squeeze to her hips and a groan he slides into the slick sheath between her thighs, belly-to-belly now, shuddering at the incredible tightness that envelopes him once again. "Love you..." "Me, too --" She breaks off, rendered breathless by his first piston-like thrusts and makes a soft sound, reminiscent of a sob, arms clutching his neck and shoulders. "Okay?" "Oh, God, yes..." Trusting the veracity of her words, he pounds with abandon, coming quickly in a paroxysm of blinding, knee-buckling pleasure. ************ Her turn comes soon after, but not before she's had time to lie in his arms and ponder the unthinkable. This case and the child preys on her mind. Dangerous thoughts at this time of year, especially after sex. Mulder stretches like a spent lion beside her, potent and virile in his masculinity. She, the empty, barren vessel tucked close under his arm... Ever the survivor, she'd picked up the damaged pieces of her life after her abduction and continued on with her work, hers and Mulder's. For years she's given the best, truest part of herself to her chosen path within the FBI -- pathology, the autopsy bay, and in the field at Mulder's side, dealing alone and by stealth with the aftermath of her sterility and all its implications... Yet, the knowledge haunts her that somewhere, at a prescribed past moment in time, a stranger's latex-gloved hand had dipped a pipette into the vial containing the stolen diamonds that were her ova. At some point after conception -- and she refuses to even consider the questionable medium for paternity involved -- the embryo that was to become her daughter Emily was implanted into the womb of an aged, invalid host. How long was gestation? Weeks? Months? How many more of her precious eggs have been used, altered, exploited, scattered like common roe for the taking? Dangerous thoughts to ponder. Blame it on emotional flux, the case, this same unendurable time of year -- Suddenly, Mulder's hand cradles her cheek, pulling her face toward his on the pillow. "You were awfully accommodating," he whispers into her ear, nipping its narrow edge, crouching leonine over her. "Sorry for being such a cave man." "'S okay. I owed you." "You owe me nothing, Scully. I made that clear years ago." His words evoke memories... after the cornfields and bee domes, after the review board broke them apart... teetering outside his apartment between fuzzy separation and a dark conspiracy... his anguished plea to preserve their partnership, and now -- "This..." Her fingers brush over the wiry hair on his chest. "This is different. New game, new rules..." Sighing, she knows her words sound cliched and inane in the warm heady space they inhabit on the bed. "No, no games." His eyes so close, commanding her gaze, he the only one alive who knows her best. "Just reality. The truth." "Which is...?" "That we love one other, no matter what." Her eyes fill to overflowing, his face rippling in gray- green myopic waves until she blinks. As usual she hates waffling under her own damnable insecurities and for having doubted the motivations that dwell in this man's heart. He kisses her with lips knowing and tender, and in classic Eskimo-fashion rubs his nose the length of hers and back again. "No matter what," he repeats, and the next kiss is deeper and longer, tasting of tears. Finally unhooking the lace bra, he draws its damp web from her body and tosses it away. With gentle thumbs he wipes the incriminating wetness from beneath her eyes and breathes, "Only good thoughts now... promise?" Beneath the caress of his mouth and the pressure of his fingertips there's no room for a little girl's long-ago misery, no room for a would-be mother's helpless violation and loss. Just the repetitive, melting rhythm of lips and tongue, the swirl of his smooth, buttery fingers and the stunning spread and blossom of pleasure that drives her ever higher toward a white-hot light. A blessed light and surety of love that fills her heart and plunges to ignite between her thighs like the sweetest of all wildfires. ************ End of Chapter 6